"...The lighting design by Jeffrey E. Salzberg nicely compliments the cozy Bank Street stage."
Frank J. Avella, New York Cool (July, 2006)
Room Service
- Peccadillo Theatre
"Production values are all splendid, especially...
Jeffrey E. Salzberg's very effective lighting design."
Martin Denton, nytheatre.com (March 11, 2006)
Shortly After Takeoff
- Harbor Theatre
"The lighting design by Jeffrey E. Salzberg is a minor masterpiece of minimalism."
Lee David, Southampton Press (February 2, 2006)
What Makes Sammy Run
"Jeffrey E. Salzberg's lighting
has the quiet task of stitching together the three distinct worlds the
characters each inhabit, and keeping them all present for us as they
individually present their story. The lighting sets clear moods without
exaggerating them, giving the actors the prominence they deserve."
Alex Brown, Montpelier Bridge (July 23, 2004)
Molly Sweeney - Lost Nation Theater
"The...pinpoint lighting by Jeffrey Salzberg...contribute(s)
to making this a first-rate production."
Jim Lowe, Barre Montpelier Times Argus (July 11, 2004)
Molly Sweeney - Lost Nation Theater
"There is real beauty in the lighting created by New York's Jeffrey E. Salzberg...."
Virginia Grantier, Bismarck Tribune (November 4, 2003)
Elements - Northern Plains Ballet
"Jeffrey E. Salzberg's lighting...enhance(s) the production."
Ruth Ross, Recorder Newspapers (March 5, 2004)
The Strange Misadventures of Patty... - Centenary Stage Company
"...The canny lighting by Jeffrey Salzberg contributed to the city cabaret feeling."
Jim Lowe, Barre Montpelier Times Argus (August 1, 2003)
Broadway's Best - Saint Michael's Playhouse
"Low-key but effective in establishing the place...and the ambience (soft and poignant)."
Kay Kipling, Sarasota Magazine (Summer, 2003)
Sea Marks - Banyan Theater
"The Standing O goes to Jeffrey E. Salzberg for the wonderful atmosphere his lighting created in Sea Marks."
Wayne Barcomb, SRQ Magazine (Annual "Standing O" Awards, November, 2003)
Sea Marks - Banyan Theater
"The simplicity and clarity of Jeffrey E. Salzberg's lighting helped to create some of the most
moving moments on stage this season and added to the emotional depth of Sea Marks."
Jay Handleman, Sarasota Herald-Tribune (17th Annual "Handy" Awards - August 10, 2003)
Sea Marks - Banyan Theater
"The apartment set by John Paul Devlin is up to his usual high standard, as is Jeffrey Salzberg's lighting."
Connie Meng, North Country Public Radio (July 3, 2003)
The Boys Next Door - Saint Michael's Playhouse
"Jeffrey Salzberg's lighting, especially for the balcony window and the storm, looks good. . . ."
Connie Meng, North Country Public Radio (June 20, 2003)
Something's Afoot - Saint Michael's Playhouse
"...Jeffrey E. Salzberg's lighting is always effective, especially when shifting to make a psychological point."
Mark Leib, The Weekly Planet (March 26, 2003)
A Streetcar Named Desire - Theatre Works
"...Jeffrey E. Salzberg's moody lighting and Williams' spoken poetry work together to take us to New Orleans...."
Jay Handleman, Sarasota Herald-Tribune (March 19, 2003)
A Streetcar Named Desire - Theatre Works
"Jeffrey E. Salzberg's lighting gives a sense of candlelight, vindictiveness and power as each sensation is needed."
Jay Handleman, Sarasota Herald-Tribune (February 19, 2003)
The Lion in Winter - Banyan Theater / Theatre Works
"The moody, ever shifting lighting by Jeffrey E. Salzberg was a plus."
Jack Eddleman, The Bradenton Herald (February 25, 2003)
The Lion in Winter - Banyan Theater / Theatre Works
"Two other factors help make this a very special work of art...The second is ...the lighting design of
Jeffrey E. Salzberg. You can understand the magic of theater when you watch the creative synthesis used to create the show's centerpiece, the pool table."
Charlie McMeekin, Randolph Herald (January 30, 2003)
Gunslinger/Beaver Falls - Lost Nation Theater (Montpelier, VT)
"...The lighting plot by Jeffrey E. Salzberg was an especial standout."
Dan Wolfe, Shelburne News (February 6, 2003)
Gunslinger/Beaver Falls - Lost Nation Theater (Montpelier, VT)
"Together with the stark staging and lighting, and smoky atmosphere, the unfolding of this tale was quite dramatic."
Jim Lowe, Barre Montpelier Times Argus (January 27, 2003)
Gunslinger/Beaver Falls - Lost Nation Theater (Montpelier, VT)
". . .Jeffrey E. Salzberg's lighting was dandy. . . ."
Jack Eddleman, The Bradenton Herald (January 26, 2003)
Dames at Sea
- Theatre Works (Sarasota, FL)
"The. . .set and lights should share star billing. . . ."
"The set gains greater impact by the alternately stark white
and tenderly subdued lighting by Jeffrey E. Salzberg."
"Jeffrey E. Salzberg's lighting is just right."
"The success of the production was due in no small
measure to his skilled and inventive lighting."
"Lighting, designed by Jeffrey Salzberg, was perhaps the
most articulate element of the total design. Highly specific
and widely variable, it was the chief means of transcendingthe limitations of the intimate theatre. . . ."